3.8.1 Gathering sources for printing blocks
I love this assignment! Maps have fascinated me since childhood, when I dreamed the afternoons away over my first atlas. My collection of maps comes in handy in this chapter, and I love to use them as a design source. On this collage you see OS maps from my walking tours in the UK, pages from a book about the history of map making, from a book with exciting aerial photographs (“One Earth”), and tourist leaflets.
Making string printing blocks
I followed the instructions, but perhaps I did not have the right sort of double sided sticky tape. After I had sprayed varnish on the blocks, the strings started to get loose. I had to press them back very firmly and let the blocks lie under a heavy catalogue overnight. Also the tape tended to come off the cardboard during printing. For my last block I tried a different method: I applied glue with a nozzle on my drawn lines and pressed the string directly on the cardboard. The strings stayed in place, and the block handled well during printing.
For one block I used rubber band instead of string. It was a little difficult to stick into place and to get it to stay there, but I wanted to try the clear line.
Here are the blocks with prints in my sketchbook (the photographs were taken after the activities, so the blocks are already well coated with paint).
3.8.2 Rubbings and prints
I used copy paper and wrapping paper for this activity. Some of the sheets came from my stack of coloured papers, one had been used as table cover for spraying bronze varnish on the printing blocks. I washed the rubbings with layers of ink and watercolour, rubbed areas with transparent oil pastel, printed with ink, and with varnish on one of the sheets, which gave interesting negative shapes on the back side. The varnish worked like bleach.
Prints: Same range of papers as above, plus wallpaper, crinkled paper, collaged paper from the last module, and old maps. I used acrylics for printing and for most of the colour washes.
3.8.3
The string block is also good for printing into thickly applied acrylic paint.
I am still playing with this long piece, around 120x15 cm. Leftover copies from chapter 6, glued on light watercolour paper and painted with gesso, printed, lines sewn and traced with felt tip pen. I wonder where this will lead to.
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