Welcome

Welcome and have a look at my work for Distant Stitch - Creative Sketchbooks, Module 6, with tutor Lizzy Lewis

In this module I will make a free-standing book on a theme chosen by me - Close to my heart.

Dienstag, 5. August 2014

Chapter 5: Spaces make Lines

3.5.1

Lines made by cutting and pasting black squares

 

01 02
03
I wanted to see how regular and irregular placing of the cut squares influences the way I see the line. I think that irregular placing makes for more interaction of the line and the shapes around the squares.

 

Circles

 

04 05

When does space change into a line? Somewhere along the way ... In contrast to the shape on page 04 right I tried a very thin line on page 05.

 

Irregular shapes

 

06 07

The idea of “quiet” and “unquiet” lines in combination with irregular forms and placing came up on page 06. On page 07 I placed the cut shapes more freely to get a few lines branching away from the main line. It was like doing a puzzle, and a lot of fun.

As I cut and pasted I was more and more reminded of natural forms, lines on stones found on a beach, traces of insects on leaves and bark and much more.

 

3.5.2 Working with coloured papers

First I made some coloured papers, as I had almost used up my stock. It was lovely to do this again.

08 Strips from an old calendar image on acrylics ground. The idea for the striped pattern came from the painting. This has a strong pattern in itself, so the negative shapes do not emerge very strongly.







09 GW 423 Pentrego

Wrapping paper on acrylics ground. The pattern was inspired by Pentrego,

a 16th century farmhouse in Wales where I stayed during my holiday.

10 Papers coloured with gouache. I think the clear lines and the washes of colour enhance each other.
11 Leftovers from above, a nice bookmark

12 Leftover shapes from Module 1 on wrapping paper from a flower shop. (It would be nice to cover the intensely pink paper with shapes in a muted colour to make the lines stand out – the idea has just popped up during writing.)






13 14

These are also leftover snippets from Module 1, cut and arranged to form patterns of lines. At first I thought a stronger contrast of colours would be better, but looking at the images a few days later I like them.  

 

Extra activity:

I love Andy Goldsworthy’s work! At the moment his books are out of print in Germany. I am glad I have a few.

 

GW Craftista 16 Cryngoed During my walking holiday in Wales I gathered strands of wool, spun them in the evening and draped the thread somewhere near my tent. This is a rather delicate line on Llan Cryngoed campsite.


Kirschen 1 When I came back home the time for  cherries was already over. On the table under the cherry tree a lot of fallen cherries had dried and moulded. I placed them in line and took the photograph a moment before the rain began, in the last light of the sun. I like the shadow and the stems of the cherries sticking out.
Next time I would form the line to be at an angle to the gaps between the boards of the table and the fissures.

 

When I came home from work yesterday a strong rain had beaten a lot of flowers from a bush. They were quite fresh and crisp and could be arranged in different ways – joined to make a chain, stuck upright into the grass, piled randomly. The sun played hide-and-seek behind rain clouds the whole time, and I tried to catch the changing light and moved around my lines a lot when taking the photographs.

 

Samstag, 19. Juli 2014

Chapter 4: Printed lines


1-SANY6093

1-SANY6094

My printing tools on the left: half a clothes peg, eraser, credit card, peanut, cork, a folded piece of cardboard, wedge, the broad end of a fingerfood stick.

From my DIY toolbox on the right: nut, a piece of wire connector, a piece of plastic with interesting holes, screw, peg, metal hook.

The wooden tools worked well with watery paints like ink and acrylics. Metal worked well with fat paints like oil and bought stamp pads. Plastic was good with both kinds of paint.

My stamp pads have been around for some time, so the colours were already a bit dry. I bought a new one in nice red tones, but I had to press very hard to get a good mark. I made two stamp pads and tried ink, acrylics, silk paint and oil paints. As I went on with the activities I used mostly ink, which is a bit watery but makes strong marks.

 

3.4.1

 

1. Rows of parallel lines

 

07 rolled piece of cardboard, bought stamp pad
08 wedge, bought stamp pad
16 eraser with oil paint
25 piece of plastic, ink

39 piece of plastic, ink

 

2. Rows with parallel curves

 

09 rolled piece of cardboard, ink and acrylics
26 piece of plastic, ink
37 eraser, long side, ink
40 piece of plastic, ink

 

3. Overlapping shapes

 

10 clothes peg, ink and acrylics
15 wire connector, ink and acrylics

I like these lacy patterns.
29 piece of plastic, ink

30 as above

 

4. More overprinting

 

14 wire connector, ink and acrylics

32 clothes peg, ink

41 piece of plastic, ink

38 eraser, ink

In this example I like the contrast of stronger and weaker marks, it creates depth.

 

3.4.2  Creating lines with dots

 

11 A 5,  wooden peg, oil paint

I used the peg in all the dot examples.
18 oil paint
19 oil paint
20 oil paint
33 ink

I like the impression of movement created by the wavy lines and the graded tone of the marks.


The idea for the arrangement came from this photograph, the surface of a canal after a duck had crossed.
GW 454
34
The inks dripped on the stamp pad(primary colours) mixed in several ways.
35
The print of the inked stamp pad in the middle was the start of the dotted line.